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Nineteen-year-old Mary Ann Patten and her husband, Joshua, were young and ambitious. Both from New England seafaring families, they had already completed their first clipper-ship voyage around the world with Joshua as captain. If they could win the race to San Francisco that year, their dream of building a farm and a family might be within reach. It would mean freedom. And the price of that freedom was one last dangerous transit―into the most treacherous waters in the world.

Victorian women ate arsenic to achieve an ideal, pale complexion, while in the 1790s balloon corsets were all the rage, designed to make the wearer appear pregnant. Women of the eighteenth century applied blood from a black cat’s tail to problem skin, while doctors in the 1880s promoted woollen underwear to keep colds at bay. Beautification and the pursuit of health may seem all-consuming today, but their history is long and fantastically varied.

This book re-envisions Mary Cassatt in the context of her transatlantic network, friendships, exhibitions, politics, and legacy. Rather than defining her as either an American artist or a French impressionist, author Ruth E. Iskin argues that we can best understand Cassatt through the complexity of her multiple identifications as an American patriot, a committed French impressionist, and a suffragist. Contextualizing Cassatt's feminist outlook within the intense pro- and anti-suffrage debates in the United States, Iskin shows how these impacted her artistic representations of motherhood, fatherhood, and older women. Mary Cassatt between Paris and New York also argues for the historical importance of her work as an advisor to American collectors, and demonstrates the role of museums in shaping her legacy, highlighting the combined impact of gender, national, and transnational dynamics.

From the acclaimed author of What the Ermine Saw and Behaving Badly, a portrait of Victoria Woodhull, a celebrated and maligned 19th century businesswoman and activist and a leader in the fight for women's suffrage and labor reforms. In 1894, a remarkably self-possessed American woman, with no formal education to speak of, stood before a British court seeking damages for libel from the trustees of the British Museum. It was yet another stop along the unpredictable route that was Victoria Woodhull's life. Born dirt-poor in an obscure Ohio settlement, Woodhull was the daughter of an illiterate mother entranced by the fad of Mesmerism-a therapeutic pseudoscience-and a swindler father whose cons exploited his two daughters.

Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded. The Waiting Game explores the daily lives of ladies-in-waiting, revealing the secrets of recruitment, costume, what they ate, where (and with whom) they slept.

Angela Buchdahl was born in Seoul, the daughter of a Korean Buddhist mother and Jewish American father. Profoundly spiritual from a young age, by sixteen she felt the first stirrings to become a rabbi. Despite the naysayers and periods of self-doubt—Would a mixed-race woman ever be seen as authentically Jewish or chosen to lead a congregation?—she stayed the course, which took her first to Yale, then to rabbinical school, and finally to the pulpit of one of the largest, most influential congregations in the world.